Rockschool Grade 2 - NIGHTBUS Part three

Last time we looked at chords and rhythm playing. This time we’ll look at the jazzy melody based on the D natural minor scale, and piece it all together.

The melody generally stays on the beat, which emphasises the off-beat accompaniment. You’ll need to master palm muting. This is achieved by gently placing the side of the picking hand on the strings close up to the bridge. Place the hand on the bridge slowly moving it onto the strings until you find the optimum position. Do this while playing the D natural minor scale, or repeating a single open string. Be sure all notes are clearly defined and not over muted.

Unlike the chords, the melody warrants alternate picking to ensure smooth delivery. Relax your picking hand, and pivot on the base of the bridge. Last month we touched on planning ahead. Use fingers specific to first position, i.e., first fret first finger. Line four bars 1 & 2 warrants more thought. Keep the fingers down when moving from the D minor chord to the phrase. Use the 2nd finger to play both the A and the F during the phrase. This gives the smoothest change. The same idea occurs in bars 1-2 ofline 5 in the move from the D chord to the F sharp minor. Play the D as a barre chord so you only have to take off the 2nd finger to move cleanly to the F sharp minor.

When putting all the parts together remember the key points: Acknowledgment of musical directions, such as dynamics, staccato and P.M; your overall confidence and technical ability; and stylistic awareness. This includes using the appropriate sounds. For this piece use a treble pick up and roll some mid off the amp. You could add a little reverb if you wish but don’t over do it.